Special Exhibit: CHARADE
Year: 1963
Duration: 113 minutes
Where to watch: Amazon Prime. However... This one fell on the public domain in some territories due to a copyright mistake, so you might watch it for free. But find a qood quality copy because the film is gorgeous to look at.
Unlike
our last recommendation, Charade was a success at the box office and even after all
these decades is relatively well-known. In fact, you might have heard about it
under the cliché "that Hitchcockian film Hitchcock never made", which
in fact holds true.
However,
maybe because modern audiences are reticent to watch films of a certain age,
having heard about it doesn’t equal to actually watching it, as I found out.
Indeed,
this particular recommendation was directly inspired by an anecdote back when I
was at film school. We were discussing Hitchcock, and someone brought this film.
I was surprised to know that most of my classmates hadn’t ever seen it (then
again, one of them had no idea who Cary Grant was, which is perfectly
acceptable unless you keep proclaiming yourself as a great film buff and then you
reveal you don’t know the existence of one of the most famous movie stars ever).
But I digress.
Anyway,
Charade immediately entered my mental list of films I should recommend. It’s
not a masterpiece, but it’s masterfully done in the sense that it’s exactly
what it promises to be.
It’s
equally a comedy, a romantic movie and spy thriller in the North by Northwest
vein. The film’s trailer even featured the tree genres being mixed together in
a blender, which already sets the tone for this fun feature.
The
storyline is the standard “regular person accidentally caught in spy plot” one.
Audrey Hepburn plays a glamorous glutton (because she’s always glamorous and
quirky) whose unloved husband is killed. He has left her tickets to Venezuela, fake
passports, and other suspicious items.
The
CIA informs her that the husband was a thief, and that his criminals associates
are after the money he stole. That puts her in harm’s way in a voyage across
exotic locales, partnered with a suave and funny man played by Cary Grant (because
he’s always suave and funny), even though the widow is never fully sure about
who he really is.
The film also features Walter Matthau, George Kennedy and James Coburn (What’s with these suggestions and recurring actors?) and is directed by Singin’ in the Rain’s Stanley Donnen. As stated above, it delivers on all of its promises: It’s amusing, the romantic leads are likeable even for an aromantic like me and the Hitchcockian elements are perfectly emulated, which makes it fundamental for us who love the works of the Master of Suspense but also enjoyable for casual audiences.
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